| Monobloc | |
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Theatrical release poster |
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| Directed by | Luis Ortega |
| Produced by | Executive Producer: Mariano Fernández Producers: Micaela Buye Martín Feldman Villa Vicio |
| Written by | Carolina Fal Luis Ortega |
| Starring | Graciela Borges Carolina Fal |
| Music by | Leandro Chiappe |
| Cinematography | Octavio Lobisolo Jorge Pastorino |
| Editing by | César Custodio |
| Distributed by | Villa Vicio |
| Release date(s) | June 9, 2005 |
| Running time | 83 minutes |
| Country | Argentina |
| Language | Spanish |
Monobloc (English: Monoblock) (2005) is an Argentine film, directed by Luis Ortega, his second feature, and written by Ortega and Carolina Fal. The film stars Graciela Borges, Rita Cortese, Carolina Fal, and others.[1]
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The film tells of three women who live a nondescript apartment block in a chaotic world.
Perla (Graciela Borges), her disabled daughter, Nena (Carolina Fal), and their next-door neighbor, Madrina (Rita Cortese) spend their days engaged in unrealistic conversations.
For example, Perla dreams of resuming her study of the French language although she is in constant need of blood transfusions to delay her imminent death.
The transfusions, are performed by a mysterious female staff member in a surreal stark-white hospital room, and provide rare glimpses of the world outside the block.
The film opened wide in Argentina on June 9, 2005.
The film was shown at various film festivals, including: the Toronto Film Festival, Canada; the Indianapolis International Film Festival, United States; the El Grito Sagrado Film Festival, Argentina and others.
Critic Diana Sanchez liked Ortaga's direction, and wrote, "What I like best about Monobloc is that Ortega is not afraid to take risks; he creates an unknown environment using normally straightforward cinematographic elements like sound, camera movements and seemingly impossible locations. He aims to jar the audience from complacency and elicit a reaction. Although it portrays a universe very different from our own, the film asks: are not some of our preoccupations equally absurd? Does our world really make any sense? The ever-present tension that permeates the film hints at a bleak vision of a society that is hurtling towards self-destruction."[2]
Jonathan Holland, film critic at Variety, gave the film a mixed review and wrote, "Pretentious, dreamlike Monobloc is a ponderous attempt by sophomore helmer Luis Ortega to achieve auteur status. Designed, by the helmer's own surprising admission, to be beyond total comprehensibility, the pic is love-it-or-hate-it fare featuring a strong cast and crew who have whipped up a sumptuous-looking and sometimes seductive piece that throws away the rulebook, but unlike David Lynch's best work seems uninterested in supplying any rules of its own."[3]
Wins
Nominations
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